An Atheist’s
‘Narnia’ Knockoff
By Dr. Ted Baehr
On December 7, 2007, the movie The Golden Compass, based on the first
book in the fantasy trilogy entitled His
Dark Materials by atheist Philip Pullman will be released in theaters
throughout the world. Pullman wrote his fantasy trilogy because he was so
upset by the Christian evangelism of C.S. Lewis in his wonderful series of
Christian tales entitled The Chronicles
of Narnia. Pullman is an avowed
atheist
who has dedicated his life to undermining Christianity and the Church among
young readers. The film’s release is only another example of a culture spiraling
away from faith, a culture into which we must step in and declare truth.
Pullman represents God as a decrepit and perverse
angel in his novels, who captures the dead in a “prison camp” afterlife. As
one fallen angel tells one of the novel’s young heroes: “The Authority, God,
the Creator, the Lord, Yahweh, El, Adonai, the King,
the Father, the Almighty – those were all names he gave himself. He was never
the creator. He was an angel like ourselves – the first angel, true, the most
powerful, but he was formed of dust as we are, and dust is only a name for
what happens when matter begins to understand itself.”
Meanwhile, the Church is depicted as an
organization bent on power, control and the torture of children by cutting.
One-character notes of the Church: “Killing is not difficult for them; Calvin
himself ordered the deaths of children; they’d kill her with pomp and ceremony
and prayers and lamentations and psalms and hymns, but they would kill her.”
One heroine in the story who turns from the
Church did so when she realized “there wasn’t any God at all and…the Christian
religion is a very powerful and convincing mistake, that’s all.” Instead, the
Church just kept her from finding love, thinking freely and pursuing bodily pleasures
like sex. As she notes: “I’d made myself believe that I was fine and happy and
fulfilled on my own without the love of anyone else.” Later, she says, “I knew
what I should think: it was whatever the Church taught me to think. … So I
never had to think about [science] for myself.”
There is no heaven in this universe, just a
dank and dreary “prison camp” afterlife. Pullman thought Christians’ positive
view of the afterlife, like C.S. Lewis’, was a “celebration of death.”
One of the characters the story’s exploring
children run into in this hell pursued spiritual things while on Earth, and
regrets it: “They said that heaven was a place of joy and glory and we would
spend eternity in the company of saints and angels praising the almighty, in a
state of bliss. … And that’s what led some of us to give our lives, and others
to spend years in solitary prayer, while all the joy of life was going to waste
around us, and we never knew.”
The children in the story ultimately
discover that true wisdom is doing what is right in their own eyes, becoming
their own gods. As one of the heroes says: “Don’t tell me. I shall decide what
to do. If you say my work is fighting, or healing, or exploring, or whatever
you might say, I’ll always be thinking about it. And if I do end up doing that,
I’ll be resentful because it’ll feel as if I didn’t have a choice, and if I don’t
do it, I’ll feel guilty because I should. Whatever I do, I will choose it, no
one else.” “‘Then you have already taken the first steps towards wisdom,’ said Xaphania.”
The result of this ‘wisdom’ is a focus on
bodily pleasure over eternal truth. Although ambiguous as to what exactly
happens, at the end of the novels the two children pleasure each other bodily
and finally experience true joy.
The world of Pullman’s series mechanically
mirrors that of C.S. Lewis. While The
Chronicles of Narnia starts with Lucy going into
the wardrobe to get to Narnia, Pullman has Lira going
into a wardrobe. But, what Lira finds is not the supernatural world, nor a
world where God rescues His creation, like Narnia,
but rather a world that ends in dust, where the highest meaning can be found in
pleasuring each other, and God is just a sniveling old man who doesn’t know
what he’s doing.
Pullman’s world is a sad, animalistic
universe. Since this is the only world there is, the trilogy ends in
hopelessness. Love is not selfless giving, because that would be useless in a
materialistic world. Love instead is the lust of pleasuring each other. In
Pullman’s world, there’s no hope of eternal life where the lame and the blind
and the deaf and dumb can walk and see and hear and talk, where the old are
made youthful. There’s no heavenly banquet, there’s no loving God, there’s no
order, and there’s no peace.
The logical consequences of Pullman’s
atheism can be found in the lives of the leading atheists of the 20th century –
Stalin, Mao, Pol Pot – men who killed millions of
their own people and had no respect for justice or love. Ultimately, it is a
road that only leads to meaninglessness and murder.
We urge people of faith and values not to
corrupt their children with the odious atheistic worldview of The Golden Compass. Instead, there are
plenty of good movies this Christmas, such as Enchanted, that will build and not destroy values.
A society shaped by the materialist and godless
ethic promoted by films like The Golden
Compass is a society without hope. If there is no God and no eternity,
if all that exists is matter, human life loses all value. Sex becomes the
ultimate form of pleasure we can achieve, and unlimited autonomy from other
people while being our own gods becomes the goal. A society like this will
destroy itself.
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This
article first appeared on WorldNetDaily.com on October 26. Dr. Ted Baehr is the founder and publisher of MovieGuide,
chairman of the Christian Film and Television Commission, and a well-known
movie critic, educator, lecturer and media pundit. He also is the author of
several books, including The Culture-Wise
Family with legendary entertainer Pat Boone. For more information, please
call 800-899-6684 or go to the MovieGuide website.